How is Age Represented in This Extract-1

Film 4

Film4 is a free digital television channel available in the United Kingdom and Republic of Ireland, owned and operated by Channel 4, that screens films. Film4 was originally known as FilmFour and became Channel 4's second channel (after Channel 4 itself) when it launched on 1 November 1998. Controller of Film and Drama is Tessa Ross. Additional channels were added, FilmFour World and FilmFour Extreme which operated on a timeshare and the timeshift channel FilmFour +1. FilmFour World and Extreme were discontinued in 2003 and replaced by FilmFour Weekly, which screened four films across the week at the same time each day to make it easier to catch a film at least once. When the channel became free, it also returned to digital terrestrial as part of the Freeview brand, and became completely free-to-air on satellite television. Due to the change, the channel's availability increased from 300,000 (subscribers) to 18 million households.

Film4 did not originally focus on broadcasting blockbusters, but nowadays broadcasts many mainstream Hollywood movies. The channel frequently has themed nights or seasons in which a number of films centred around one genre, director or actor are shown. As Channel 4 also owns a film production company, Film4 Productions, it shows many of its in-house productions.
Film4 Productions is a British film production company owned by Channel 4. The company has been responsible for backing a large number of films made in the United Kingdom. The company's first production was Walter, directed by Stephen Frears, which was released in 1982. Before 1998, the company was identified as Channel Four Films or FilmFour International. Later, the outfit was re-branded as FilmFour, to coincide with the launch of a new Digital TV channel of the same name. The company cut its budget and staff significantly in 2002, due to mounting losses, and was re-integrated into the drama department of Channel 4. In 2004, Tessa Ross became head of both Film4 and Channel 4 drama. The name "Film4 Productions" was introduced in 2006 to tie in with the relaunch of the FilmFour broadcast channel as Film4.

Channel Four had been established with the aim of getting many programmes either by commisioning or buying in programmes from other companies rather than producing its programmes in house which was what both ITV and the BBC did. By 1987 24% of C4 programming was externally produced and films were a large part of this 24%. C4 had an ambitious target of co-producing 20 films per year which was beyond the resources of any other film making companies in the UK. According to Walker (2004) it had a budget of £6 million to spend on fully or part financing films. It typically invested between £250k - £300k per film buyijng in the TV rights. C4 also invested £750k per year in British Screen Finance  and another £500k per year in the BFI Production Board.

By the end of 1987 C4 was producing 17/28 films per year on a £9.5 million budget. Very few of the films directly recovered their costs and to all intents and ourposes C4 remained an 'art-house' producer as the films weren't reaching mass popular audiences they had on the other hand established a good rapport with more specific audiences and can be used as an example of how audiences were beginning to fragment as more media products became available. The breakthrough films for C4 were My Beautiful Laundrette (1985), Letter to Brehznev (1985) Mona Lisa (1986). A useful boost was that these films also found an alternative audience in the United States.

By 1992 the succession from David rose to David Aukin had been completed. Channel 4 had increased its average contribution to the financing of films to over 40% "but only because costs had risen, not due to optimism" asserted Alexander Walker (2004 p 154). The cost of a typical Channel Four film had risen from £400k in 1982 to £1.8 million. So much for Thatcher's stance against inflation or was it the greed of filmmakers and others in the industry which caused this 4.5 fold increase over a ten year period? Walker's explanation doesn't really add up here. However by this date C4 had part-funded nearly 250 films which is an excellent record.

Launched : 1 November 1998

Owned by:  Channel Four Television Corporation

Slogan: "Great films for free"

Country: United Kingdom

Formerly called FilmFour (1998-2006)

Sister channel(s): Channel 4, E4, More4, 4Music, Kerrang!, Kiss, Magic, Q, Smash Hits!, The Box

- controller of f4 is Tessa Ross
- 2006 moved from pay TV to being free to air allowing more free access to home grown and blockbuster films
- film4 is a production house + channel that produces and broadcasts alternative films.5/12/11 TV showing
8:45am The BSL Zone: Wicked
11:00amCloak and Dagger
1:05pm The Battle of the River
3:25pm Carry On Constable
5:10pmBrief Encounter
6:50pm Entrapment
9:00pm Cypher
10:50pm William Shakespeare's Romeo...
1:10am Late Spring
3:20am Deep Blue Sea Interview Special

- Interested in Niche audiences – range of mainstream and independent films – encourages audience broaden horizons. Making and showing alternate and challenging films.

Channel 4 budget rise of 50% from 2011 to £15million a year guaranteed next 5 years.
Make about 6 films per year- have a low budget studio with film council WarpX (digital production house)
film 4 wider community partener with working title and BBC

Won five Oscars in 4 years and 3 BAFTAS in 2007 alone.
Reaches 8.3mil abc1’s a month with

Monarch of the Glen first minute editing

Long TakeTake refers to legnth of time the camrea is running between edits (cuts or transitions). We do not see an edit for a long period of time, this can be used to effectivly slow time. - Long take opens this extract, it effectivly slows time as we notice the surronding of the farm lifestyle which then relates with the stereotype of middle aged/old people working on a farm which is boring and slow.


Cross Cutting with a Shot/Reverse Shot with an Eyeline Match.Cross cutting a cut to a piece of action that is happening at the same time. Shot/Reverse Shot is an editing pattern that cuts to a view of the opposite direction like in a conversation, at Eyeline Match which is where we can see a charecter look in a particular direction which the next shot follows.- There is a Cross Cutting shot with a Shot/Reverse Shot, this link on from the last sequence showing a boy and a girl walking out the house, the Shot/Reverse Shot is behind the boy showing him looking eyeline match to the girl showing their equality which relates to the last stereotype with a relaxed, slow and calm feel.

Paul notes

Paul is a 2011 science fiction comedy film directed by Greg Mottola, written by Simon Pegg and Nick Frost, and starring Pegg, Frost, and the voice of Seth Rogen as the title character. The film contains numerous references to other science fiction films, especially those of Steven Spielberg, as well as to general science fiction fandom.

Directed by Greg Mottola
Produced by Nira Park, Tim Bevan, Eric Fellner
Written by Simon Pegg, Nick Frost
Starring -  Simon Pegg, Nick Frost, Seth Rogen,
Music by David Arnold
Cinematography - Lawrence Sher
Editing by Chris Dickens
Studio - Relativity Media, Working Title Films, Big Talk Pictures
Distributed by Universal Studios
Release date(s) - 14 February 2011 (2011-02-14) (United Kingdom)
18 March 2011 (2011-03-18) (United States)
Running time - 104 minutes

Release date in UK was 14^th February , in 2007 Hot Fuzz was released on valentines day too. Paul is an usual film to release on valentines day – not a usual romantic film. 4 days of preview boosting it opening weekend only made in the box office £5.52million.Paul was the firs working Title film made in America but with English cast and crew.

Regional Idenity

Accents - identify charecter (pitch and tone)
nasel - north
lack of vouls - south (estriy)

Mise en scene - whats in the background/surronds.
London, south east, bins and rubbish - poor area, rough.
 
Cockney
- untrustworthy
- Salesman - car secondhand
- Dropouts from school
- Pregnancys

Yorkshire
- farmers
- Lack of humor
- Stupid
- Flat tweed cap
- Rude
- Inbred

Scouse
- Curly hair
- Old

Leicester
- Chavy
- Slang language
- Crisps

Birmingham
- Stupid (2008 most uniteligent acsent)
- Rural jobs
- Dirty factorys
- Friendly tone

Binary opposites;
City: Depressing and stressful  OR  Vibrant and exciting
Country: Peaceful and relaxed OR Boring and dull.

Stereotypes Age Powerpoint

Stereotypes Age Powerpoint

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Websites

- Cheaper than advertising on TV. Also 24/7
- Exclusives. - Downloads, Podcasts, Blogs
- Easy to find out about more in free time

- Instant updates
- Viral marketing
- Wider range audience
- Company contact details
- Archieve material
- Awards/Celebrations
- History/About company
- Merchandise

Evaluate Working Title's website commenting on what features make it particually useful or interesting.
Working titles website looks very proffesional, unlike any other british film website. This could be from the influence of its shareholders, Universal Pictures. This would then allow funding and more experienced/professionalweb designers to create the smart look the website has. On the website there are headers to pick from such as; Films, Trailers, News, Features, Theatre and Action!Thisis easy to navigate round the website as you can easily find what you are looking for. Also underneith they have 5 diffrent moving slides of their productions that you can click on to view more of. The website still hold trailers from over 5 years ago which is interesting and good to look at, also its good that company still respect the old and are publisising their older works. Anoherthing that is good about this website is they have a film page for every film which is good for fans as on thatpage their are blogs from actors, film highlights, pictures, exclusives such as poster arts and downloads, film information, news and trailers. This is good for fans as they can easily find out more about a selected film of interest.
I think the website is great, fun and professional.